Joan Mitchell

Un_jardin_pour_Audrey_1975_02

Joan-Mitchell-1992-Untitled

Joan-Mitchell-1961-62-Grandes-Carrieres-MoMA

I have looked at Joan Mitchell because of her 'messy' style of abstract expressionist painting. She is known for the compositional rhythms, bold coloration, and sweeping gestural brushstrokes of her large and often multi-panelled paintings. Inspired by landscape, nature, and poetry, her intent was not to create a recognisable image, but to convey emotions. I find her work relevant to my own studio practice because of the way in which she applies her paint to the canvas as well as the themes of nature.

Inspired by the gestural painting of Willem de Kooning and Franz Kline, Joan Mitchell's mature work comprised a highly abstract, richly colored, calligraphic manner, which balanced elements of structured composition with a mood of wild improvisation.

Mitchell rejected the emphasis on flatness and the "all-over" approach to composition that were prevalent among many of the leading Abstract Expressionists. Instead, she preferred to retain a more traditional sense of figure and ground in her pictures, and she often composed them in ways that evoked impressions of landscape.

Mitchell's abrasive personality has been a key factor in interpretations of her painting, which critics often read as expressions of rage and violence. Yet, almost as often, they have seen lyricism in her work.

Joan Mitchell continues to inspire as an artist true to her inner vision, who created a large and impressive body of Abstract Expressionist work. Recognized by the age of 30, her paintings steadily matured and became ever more striking and profound. The Joan Mitchell Foundation, established in 1993, continues to celebrate her legacy by providing grants and other support for painters and sculptures working today.